(…) the designer is therefore the artist of today, not because he is a genius but because he works in such a way as to re-establish contact between art and the public, because he has the humility and ability to respond to whatever demand is made of him
by the society in which he lives, because he knows the job, and the ways and means of solving each problem of design. And finally because he responds to the human needs of his time, and helps people to solve certain problems without stylistic preconceptions or false notions of artistic dignity derived from the schism of the arts.
(…) Research design is concerned with experiments of both plastic and visual structures in two or more dimensions. It tries out the possibilities of combining two or more dimensions, attempts to clarify images and methods in the technological field, and carries out research into images on film.